DJ Keyframe is honored to have attended Anthropos 2019 and to return in 2020! Please read on to learn more about this event and enjoy the Keyframe video DJ mix.
Keyframe has been involved in Electronic Music Culture since the 90’s as a dancer, music label owner, event promoter, film producer, artist manager, and has worked with the Ultra Music Festival and Lucidity. Keyframe values shamanic chill sounds that meld complexity & harmony. His music selection spans a vast range of cultures and weaves intentional mellow psychedelic overtones (PsyChill). To learn more about DJ Keyframe, please visit: http://keyframe-entertainment.com/djkeyframe/
Thank you to Digital Introspect Visuals for the video visuals! Di (Matthew Curtis Childers) is a digital media artist who resides in the San Francisco Bay Area of California and specializes in live visuals, computer animation, illustration, interactive visual programming, and projection mapping as augmented reality. Di’s digital video works are primarily performed live in collaboration with musicians, dancers, and actors in a live audience setting. Di’s animations have been mixed live for many musicians and producers such as The Crystal Method, Ghostface Killah, Pretty Lights, Lusine, Yheti, Ill Gates, PhuturePrimitive, Stylust Beats, Thiftworks, Orgone, Pimps of Joytime, The Minnesota Orchestra, and many more. Di has worked on various projects with many music festivals to include Burning Man, The Untz Festival, Tipper and Friends, Lucidity Music Festival, Still Dream Music Festival, Earth Rhythms Music Festival, Symbiosis, Still Dream Music Festival, and more. Learn more at Digital Introspect Visuals.
Anthropos is a transformational gathering in the UK. The experience offers electronic and live music across 3 stages, a diverse art gallery, performance arts, multimedia visual arts and installations, workshops, lectures, healing village, free spa area with sauna, 100% vegan food vendors and activities to grow the spirit and soothe the body. The event returns on June 10-14th, 2021.
